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The First Four Notes

ebook
A TIME Magazine Top 10 Nonfiction Book of 2012
A New Yorker Best Book of the Year
Los Angeles Magazine's #1 Music Book of the Year

A unique and revelatory book of music history that examines in great depth what is perhaps the best-known and most-popular symphony ever written and its four-note opening, which has fascinated musicians, historians, and philosophers for the last two hundred years.
Music critic Matthew Guerrieri reaches back before Beethoven’s time to examine what might have influenced him in writing his Fifth Symphony, and forward into our own time to describe the ways in which the Fifth has, in turn, asserted its influence. He uncovers possible sources for the famous opening notes in the rhythms of ancient Greek poetry and certain French Revolutionary songs and symphonies. Guerrieri confirms that, contrary to popular belief, Beethoven was not deaf when he wrote the Fifth. He traces the Fifth’s influence in China, Russia, and the United States (Emerson and Thoreau were passionate fans) and shows how the masterpiece was used by both the Allies and the Nazis in World War II. Altogether, a fascinating piece of musical detective work—a treat for music lovers of every stripe.

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Publisher: Knopf Doubleday Publishing Group

Kindle Book

  • Release date: November 13, 2012

OverDrive Read

  • ISBN: 9780307960924
  • Release date: November 13, 2012

EPUB ebook

  • ISBN: 9780307960924
  • File size: 2231 KB
  • Release date: November 13, 2012

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Formats

Kindle Book
OverDrive Read
EPUB ebook

Languages

English

A TIME Magazine Top 10 Nonfiction Book of 2012
A New Yorker Best Book of the Year
Los Angeles Magazine's #1 Music Book of the Year

A unique and revelatory book of music history that examines in great depth what is perhaps the best-known and most-popular symphony ever written and its four-note opening, which has fascinated musicians, historians, and philosophers for the last two hundred years.
Music critic Matthew Guerrieri reaches back before Beethoven’s time to examine what might have influenced him in writing his Fifth Symphony, and forward into our own time to describe the ways in which the Fifth has, in turn, asserted its influence. He uncovers possible sources for the famous opening notes in the rhythms of ancient Greek poetry and certain French Revolutionary songs and symphonies. Guerrieri confirms that, contrary to popular belief, Beethoven was not deaf when he wrote the Fifth. He traces the Fifth’s influence in China, Russia, and the United States (Emerson and Thoreau were passionate fans) and shows how the masterpiece was used by both the Allies and the Nazis in World War II. Altogether, a fascinating piece of musical detective work—a treat for music lovers of every stripe.

Expand title description text